Coldplay World

(cover by admiral price)  Shown in a list of songs written on a whiteboard that were being considered for the band's sixth studio album in the making of Ghost Stories was recorded alongside Always in My Head in the Madeon sessions. Was also remade for their seventh album with different lyrics but was later scrapped. An studio version of the track was leaked onto the internet.

  The band’s gift for soaring melodies is evident throughout  Ghost Stories —particularly on the magnetic first single, “Magic.” Chris Martin’s heart-rending falsetto floats along in a haze of synth-washed ambience (as on the entrancing  Kid A –influenced “Midnight”) or sparely accompanied by acoustic instruments (“Oceans,” “O”).  Ghost Stories  demonstrates the expressive power of understatement. Copyright: ℗ 2014 Parlophone Records Limited, a Warner Music Group Company. Note! : this record is for For Promotional Use Only! Tracklist: 01 Always In My Head (Instrumental) 02 Magic    (Instrumental) 03 Ink (Instrumental) 04 True Love (Instrumental) 05 Midnight (Instrumental) 06 Another's Arms (Instrumental) 07 Oceans (Instrumental) 08 A Sky Full Of Stars (Instrumental) 09 O (Instrumental) Download link

  Viva la Vida or Death and All His Friends, often referred to as simply Viva la Vida, is the fourth studio album by British rock band Coldplay, released on 12 June 2008 on the Parlophone label. ... Lyrically, the album  contains references to love, life, death and war. Copyright: ℗ 2008 Parlophone Records Limited, a Warner Music Group Company. Note! : this record is for For Promotional Use Only! Tracklist: 1 Life In Technicolor (Instrumental) 2:29 2 Cemeteries Of London (Instrumental) 3:21 3 Lost! (Instrumental) 3:55 4 42 (Instrumental) 3:57 5 Lovers In Japan / Reign Of Love (Instrumental) 6:51 6 Yes (Instrumental) 4:04 7 Viva La Vida (Instrumental) 4:04 8 Violet Hill (Instrumental) 3:50 9 Strawberry Swing (Instrumental) 4:08 10 Death And All His Friends (Instrumental) 3:30 Download link

  Coldplay’s third album embraces their destiny to become the world’s biggest band. It is the emotive, melodic rock of their previous records writ stadium-size. Wracked with Chris Martin’s self-doubt, “Speed of Sound” and “Square One” are precision engineered to peak, dip, rush, and resolve with maximum visceral impact. There are hints of the left turns and electronica that would come with later albums–“Talk” borrows from Kraftwerk–but Coldplay 3.0 is a persuasive case for refinement over re-invention. Copyright: ℗ 2005 Parlophone Records Limited, a Warner Music Group Company. Note! : this record is for For Promotional Use Only! Tracklist: 1. Square One (Instrumental) 4:47 2. What If (Instrumental) 4:57 3. White Shadows (Instrumental) 5:28 4. Fix You (Instrumental) 4:55 5. Talk (Instrumental) 5:11 6. X&Y  (Instrumental)  4:34 7. Speed of Sound (Instrumental) 4:48 8. A Message (Instrumental) 4:45 9. Low (Instrumental) 5:32 10. The Hardest Part (

Recorded in the immediate aftermath of the 9/11 terrorist attacks,  A Rush of Blood to the Head  is driven by tenderness and urgency. The simplicity of the band’s melodies, the suppleness of Chris Martin’s vocals, and the grandness of the arrangements make “The Scientist” and “Clocks” resilient anthems for a new millennium. While the atmospheric “Daylight” and “Warning Sign” look back to the weightless space balladry of David Bowie and Pink Floyd, “In My Place” is a gentle, slow motion march that seems to stop time.

  In some ways it’s hard to recognize the festival headliners of today in the winsome, melancholy indie rock yearbook photo that is 2000’s Parachutes. But the heart of the band, on open display in the soaring chorus of “Trouble” and the super-sweet charm of “Yellow,” remains unchanged. In the eerie, liquid guitars and chiming, emotional wrangles of “Shiver” and the haunted late-night paranoia of “Spies” shine the songwriting talents that propelled Coldplay into stadiums.

( artwork made by me )

  This session was broadcasted live in Los Angeles on 89.9 KCRW's "Morning Becomes Eclectic" on Wednesday, December 20, 2000, hosted by Nic Harcourt. Coldplay’s appearance on “Morning Becomes Eclectic” at KCRW is a cherished session among fans. It was broadcast live in Los Angeles on 89.9 KCRW on Wednesday, December 20, 2000, hosted by Nic Harcourt1. During this intimate, acoustic set, the band performed several of their songs, including: “Don’t Panic” (acoustic)  “Spies” (acoustic)  “Shiver” (acoustic)  “We Never Change” (acoustic) “Yellow” (acoustic)  “Trouble” (acoustic)  “Have Yourself a Merry Little Christmas” This session showcased Coldplay’s raw and emotive acoustic renditions of their music, providing a unique listening experience for their audience. You can find recordings of this performance online, which capture the essence of Coldplay’s early sound and the atmospheric quality of their acoustic sets. _______________________________________ Copyright:  © 2000 Ca